The Elemental Roulette

[Being the fifth part in our four-part special series on the nature of the tarot card suits For the previous parts, do check out Isabel’s Much at Stake: Vampires on Fire, Paulinnhhoo’s On Coins, Miguel’s To a Queen of Swords and Shelley’s The Fool’s Journey Through the Tarot Suit of Cups.]

It happens. You’re reading a book on the tarot. Or just going through some threads on some online tarot forum. Or maybe you pick this up in a course on tarot. Sooner or later, there comes a time where you will find a mention on how the four elements correspond to the four suits of the minor arcana. If you’re like me, the first time you read anything about the subject, this will seem like a huuuuge breakthrough, as it will open the door to a new understanding on the blasted minors and, perhaps, an easier way to deal with the damn cards. This will open the door to all kinds of esoteric subjects: kaballah, alchemy, mysticism, philosophy, and everything but the kitchen sink. Out of nowhere, there are huge amounts of knowledge that needs to be studied, perceived and assimilated in order to read the cards. Or at least to understand what the hell everyone is talking about.

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As if that wasn’t enough, not everyone seems to follow the same system. Cups are the easy ones. Everyone more or less agrees that they are associated with Water. The other suits, however are mined field. Are batons Fire or Air or Earth? And what about spades and coins? And why can’t anyone agree on something like this? Are we to follow the western esoteric tradition and assign Fire to batons, Earth to coins and Air to spades? Or should we take the cunning folk tradition and see Fire associated with coins, spades associated with the Earth and batons associated with the element of Air? Or maybe some other combination?

And, again, why don’t people agree just with any of this???

Well, you can blame the ancient Greeks for this whole mess. They’re the ones that had the idea that the whole Universe could be explained as a combination of four elements, namely Fire, Water, Air and Earth. Granted, other cultures has similar concepts. The number of elements might vary, or even the substances considered elemental, but older civilizations like the Egyptian, the Babylonians, the Hindu or the Japanese all had similar concepts. More recently, science has taken a spin on the concept, with the notion of states of matter. According to scientists, matter can not be described by a particular combination of the four elements — since there are some things called atoms (about 120 different kinds of atoms, just to complicate things) —, but they can appear in one of the following states: solid, liquid, gas and plasma. These scientists then entertained themselves with trying to find other possible states of matter, most of which occur at extreme conditions of temperature or pressure. Still, for the most part, under normal conditions the only observable states are solid, liquid, gas and plasma. These states are due to similar behavior of different types of matter at similar energy levels, and not due to having a certain type of some substance.

Or, to put it in another way, the states were assigned by observation. Just like in the old days, the elements were defined by observation. Aristotle, for example, related each element to two of four possible qualities. Fire is both dry and hot; Water is both wet and cold; Air is both wet and hot; Earth, both dry and cold. However, there were people who would not agree. For Proclius, a neoplatonist,  Fire is sharp, subtle and mobile, while Earth is blunt, dense and immobile. Air is blunt, subtle and mobile, and Water is blunt, dense, and mobile.

So, as you can see, right there at the beginning, people also didn’t see eye to eye with this. And things really haven’t gotten better since.

As most of the western culture comes from ancient Greece — with Plato and Aristotle being the two main pillars on which everything else got build, if these two currents can’t agree, we’re in for some deep trouble. And again, if the correspondence is to make any sense, there should be something in both the element and the suit that can be related. Which means, that we need to observe the same qualities in both the material element and the object that lends its name to the suit in question.

Since the last four posts have been devoted to the suits, we will start with the elements. So let’s take a look at all of this and see where it gets us.

FIRE
Fire is warm and bright. When controlled it can be used as a source of heat and energy as well as a transformation tool, enabling us to cook thinks and manipulate matter, whether it be glass making or metal crafting, amongst other; however, when uncontrolled, it can easily destroy everything in its path. Fire is then a source of creation and destruction. But the most interesting thing about the element is that it is both the strongest and the weakest element, due to a very interesting characteristic: it is the only element that cannot sustain itself. It constantly needs feeding in order to survive. Take out the source of nourishment and it will easily be put out. But can just as easily be brought back or rekindled with the right spark. This gives fire something that no other element has: the capacity of regeneration. In a sense, it lives to consume and be consumed, only to rise again from its ashes when the time is right. It is also the only element that is constantly changing, its flames constantly dancing in accordance to its own volition.

Associating Fire with the batons is easy enough: not only does wood burn, but if you rub two sticks together, you will create fire. Wood (and thus batons) can then be seen as a seed of fire but also as the carrier of fire. Which is why most people make this association. But that is not the only one.

For coins warm our palms just like fire. Also like fire, money doesn’t like to be still, but instead to spread as fast as possible. In a way, money is just as nervous as fire. And just as restless.

As for the suit of Spades, Swords are quick and destructive. In fact, they’re the most destructive suit of the pips, just like fire is the most destructive of the elements. As Proclius also pointed out, fire can sting, just like a sharp needle, which again brings it closer to Spades.

AIR
Air doesn’t have a particular shape or a definite volume. It can freely flow and expand or contract according to need. It’s main quality is thus movement. It contains oxygen, which is vital to human needs, but also carbon dioxide, which can be poisonous. It is what we breath in and what we breath out, so in a way, what connects us to the outside world; a bridge if you like. But at the same time, and much like Fire, it is a vital force. Even though we can not see it, we can feel its effects. With the breaths we take, but also in the wind and hurricanes and how it seems to bend things to its will, sometimes going as far as ripping them off the ground and just carry them away. As a carrier, there really isn’t a better medium, since air can carry both physical things as well as sound. It carries words, thoughts, ideas and it is what allows us to communicate with one another, no matter how far we are. In a nutshell, it is the element of interaction.

Esoterically speaking, the element of Air is attributed to Swords. This might seem like a strange attribution, but just think of the previous sentence: it is how words and ideas travel from one place to the other. How rational thoughts get spread. If you want a more down-to-earth approach, cold air cuts just like a sword does. Which, granted, is not the most elegant idea, but practical enough.

The attribution to coins isn’t a better one. It requires that we see money as a spirit, as fickle as air. Money comes, money goes. Like air, money is both a way to carry things forward and something as insubstantial as air.

As for batons, trees grow upwards. They take what they need from air and give it the oxygen other living beings require for sustenance. Batons are related to air because wood was once alive as trees. But not only that. As the suit of batons are related to the concept of will, it is also easy to relate  them to air. Just think of how the same breath that can nurture a flame can also extinguish it if we so will it. We just put our intention on the act, and just like magic! — well, there is also a scientific explanation to this, but onwards — the flame either puffs up or blows out.

WATER
Water is fluid. It doesn’t have a particular shape, even though it has a definite volume. It can flow from place to place. Sometimes it is crystal clear; other times, murky, thick and opaque. It can be still and peaceful, as the water in a pond or fierce and strong as in a tempest. And beware of undercurrents. They’re always there, even when they are not felt. An interesting property of water is that it will hit you back with the same strength that you hit it with. If you want, try this as an exercise. fill a bowl big enough to fit your hand with water. First, place your hand as softly as you can and gently push it underwater. You will find that it offers no resistance. Next, take the hand out and repeat the exercise, but faster. If you don’t feel any pain, gradually increase the speed you hit the water with until it does. You will find that the faster you hit the water with your hand, the harder it will hit you back. Physicists know this as the Law of Action/Reaction, which basically states that the higher the force you apply in an object, the higher the force that object will apply on you.

But that is not all about water, as water is at the root of life. Our whole bodies are made of water. Every cell that exists is made of water. And water is necessary for most of the chemical processes that occur in our bodies. Simply put, without water, there’s no life. Water was there at the beginning when life first appeared and not only provided the base material for life, it also provided shelter from the harsh conditions outside — the sea becoming a barrier from all the nastiness that was happening, while supporting and nurturing the life within.

From all the four suits, Cups seems the most obvious. Cups are a container, a vessel and that’s what we need to hold water (as otherwise it will flow away). If we look at how water and cups are related in the same way as blood and the heart, things become even more obvious. And more obvious still if we replace the word water with feelings, which traditionally are related to the heart. So much so, that the other suits aren’t even considered. And yet… water can hit just as hard as a baton and ice can cut just as sharply as a sword, so maybe there is something here?

EARTH
Earth has a definite form and volume. It is the most stable and inert of all the four elements. It is hard and cold and at first sight doesn’t seem to be of much use. After all, it is just there. But appearances can be deceiving. Everything that we get comes from the earth. All our food; all our metals and shiny things; all the materials we need to build and create stuff come from the earth. In a way, it is at the root of everything we do. It is the base material for things like glass, concrete, clay, and others. It is where trees and plants root themselves and the provider of all the minerals and nutrients they need to be able to grow. It is also where things break down and become available to re-enter the cycle of life. Or, perhaps just remain there until they are extracted for fuel. So where all the riches come from. Like water, it can also provide shelter from the elements, and even though we stopped using caves, we still build our own particular holes to live in.

From what was said, the Element of Earth could be attributed to the suit of coins. It is a place of riches after all. It could also be attributed to spades. The metal thing won’t helps us here, as it is also a reason to associate this element with coins (coins being made of gold or silver or some other metal). But because it is the place where things get broken down; divided into such tiny pieces they can then be of use to other living beings. And cutting things down is what swords are known to do; cutting things to the bone. Just like the earth.

So what do we make of all of this?

Well, the first thing we make is that logic can’t really help us here, as there’s always a logical reason for every attribution that we can think of. As we just saw, for each set of attributions, there are some very strong reasons. And again, for each set, some very weak ones. In a way, as Robert Anton Wilson said, “what the thinker thinks, the prover proves”. So if there’s a way to make this happen, it will happen. (For more on R.A.W. and the tarot, see our previous post here).

So if logic won’t help us, it all comes down to how we see each element: how do we perceive it; what functions does it serve and how can we best fit it with the way we perceive each of the suits. And the truth is, for most readings you won’t even need to bring the elements into play. Again, just go back to out previous posts on the suits and see how, even though they’re slightly mentioned, for the most part we didn’t even mentioned it.

Does this mean that they aren’t useful, then?

Not exactly. They do serve a function. Specially in health readings and to describe personalities, as the elements can be associated with temperaments and health functions. But that’s it. So the best thing to do is to find the set of correspondences you relate the most and work with it. Just stick to a system. This way, the cards will always communicate with you in the same language.

As for what system to use, well, I personally tend to favor the esoteric system, simply because that’s the one closest to heart for me — meaning the one that best worked with the Thoth deck, which was my main deck for close to twenty years. As I moved to the Marseille, I’ve found out that the esoteric system still held, but wasn’t as precise as the cunning folk one. So grudgingly, I ended up switching to the cunning folk whenever I read the Marseille [I mean, who am I to argue with hundreds of years of use of a system? If it really didn’t work, it would have been discarded by now, right?]. 

Thankfully, and as I said previously, the elements really aren’t that necessary in a reading. Just looking at the suits and its functions will get you there most of the time, as I’ve personally found out by comparing my Marseille readings with the ones given by more traditional readers.

So, look into it, see what system catches your fancy and stick with it. Don’t complicate stuff and, specially, don’t start shooting in every direction. Card readings should be precise and accurate. And for the most part, we actually don’t need the elements thrown in there. Even if it can help. So keep it simple.

Much At Stake: Vamps on Fire

After my fellow Stirrers have talked about the first three suits of the Minor Arcana, it falls to me to set forth about the Wands, Staves, Batons, Staffs, or… Stakes? Yes! Some of you may be aware of my work with the Vampire Tarot by Robert M. Place. Far from being a gimmicky deck, it has proven to be very profound. Quite apart from the darkly stunning artwork, it is extremely good at Shadow work & spotting negative patterns. Moreover, the Vampyrs usually speak to me in a poetic & evocative voice, the better to get Their message across. I have blogged here & here about my work with this deck.

Place relates the literary Vampire theme to the tarot in a very interesting way (again see my review about it). The four suits consist of the means of combating the Vampires, symbols of the Shadow Self. The suits reflect the Jungian division of the four functions of consciousness, with Knives for Thinking (Air), Garlic Flowers for Sensation (Earth), Holy Water for Intuition (Water), and our subject today, Stakes for Feeling (Fire). In Jungian thinking, feelings are not emotions. Quoting from the Vampire Tarot Guidebook: “Feeling is a decision making function that determines if something is good or bad and motivates one to action, symbolised by Fire. The basic feelings are love and hate”.

Of course the Vampyrs immediately wanted in on any discussion of Their own cards, and so I’m letting Them tell the story of the Stakes. I used my charm set for further illustration of what each card wants to say, just as i do in my Vampire Tarot Readings. So let the sinning singing commence…

The Heart wants what it wants
And it will Bleed if it does not get it
A Stake through the Heart will produce
An immediate reaction:
For some, Pleasure
For others, Pain
A Cross, a Burden
Or a sign of Hope
Which one is it
And what will you do about it
Little Mortal:
Rip it out
Have done with it?
Or let it take root
So it can either make you grow
Or have you fester?

Ah yes, once you are bitten
Little Morsel Mortal
You toss & turn in Torment
No sleep
Only Dream
No rest for the Wicked
Trouble in Paradise
It will bring its own reward
A juicy prize
Worth flapping Our wings to pieces for
Against the cold, hard Glass
Until it shatters
And Two will dream one Dream

Three Stakes will summon
Three hungry Wolves
Either Friend or Foe
Who will they devour:
Your Enemy
Or You?
To Us it is the same
If they but leave a bite for Us
Only a nibble
Just a Taste
But We digress

The Four shows you Mina
Both Sacrifice & Priestess
Who came so close
To being one of Us
She drank the Blood
Consumed Immortality
Bound herself to the Master
And He to her

If that is not Commitment
We do not know what is
Not all Love is Eternal
But Ours certainly is
Ah, sweet Mina
How did Eternity Taste
Will you ever forget
Or yearn Forever?
And more importantly
Will We?

Five of Stakes to form a Hand
To express what one Desires
To guide
Or to manipulate
Perform a Trick
Or true Sorcery
An open Hand can bring a Gift
Bring forth Creation
Or Illusion
Look carefully, dear Mortal
To See which is which
And to Know when to Give
When to Receive
And when to hit back

A Crown fit for a Master
Admiration & Respect
Is what the Six of Stakes will bring you
A Circle of admirers
Well-earned & well-deserved
Well done, little Mortal
Enjoy your time
On your little pedestal
You have your pick
Of all Three Brides
Just leave some for Us
(Just a drop
Only a lick
Ah yes)

No good can come
From any Seven
When will you Mortals learn
That Seven is Deceit
Or Tears
Or even Death
Seven Stakes will bring a Quarrel
Ugly, deadly
Throat torn out
So you are devoid of Voice
Devoid of Power

No good can come
Of this kind of Conflict
When you see this card
Do not even try
Arguments will not win this
Only Force & Violence
So flee the scene
(We like a Scene
Ah yes
It makes Us hungry
Leave this sort of thing to Us
While you live another day)

Summon your Strength
And all your Courage
For the Eight of Stakes brings Duty
And not always a pleasant one
To drive a Stake through someone’s Heart
Someone who is not quite a Corpse
And may still Bleed
It takes a particular sense of Duty
A peculiar kind of Discipline
To see it through
To destroy Illusion
That what is not Life
Nor Death
It will bring rewards, oh yes
And yet may leave you hollow

Only fair, then
That after Eight comes Nine
After building Strength
Will come Surrender
Sacrifice of You
Instead of the Other
Here is the Fire
The pure Power
That was promised by the Stakes
The Sun, the Pyre
True Death
Letting go

Let it burn you away
Reduce you to Ashes
And leave nothing behind
But a good deed done
A Light for the World
We Immortals fear the Fire
But We know that Light
Beyond Our Darkness
Oh yes

It is what keeps us going
Throughout Eternity
It wakes us from our Slumber
When all seems lost
Returned to Dust
It is both what burns Us up
And what rekindles Life
Makes Us crawl out of that Coffin
Break out of Our Tomb
Pull out all Ten Stakes

Our own Choice really:
Will We stay buried
Or live again?
And you, little Mortal
Are you a Bone discarded
Or a Seed planted?

And so, when reduced to Our very Essence
We meet the Court ruling the Stakes
The ones in whom the Fire burns
For better or for worse:

The Knave & the Knight
The Poet & his Creation:
Ligeia, the Fatal Woman
Whose Passion conquered Death
With a hypnotic Gorgon stare
For she has seen that Light
Inside the Dark
Inside herself
And inside you

Poor Poet Poe
How your Raven whispers
Fills your mind with Stories
And your Heart with Dreams
Such Vision, such Intensity
To dream up a Ligeia
And many ladies like her
Forever dying
But refusing to stay Dead
What does that say about you

The King & Queen
They do not need each other
Facing away from each other
And yet so alike
And aligned
Charlotte Stoker
Both inspired & inspiring
A Teacher & a Guide
A Wise woman
With the Patience to
See you through the Fire

And the King, Franz Liszt
Ah yes, a man who ruled
Wherever he went
With his Genius
His pure Charisma
A man who set the tone
Quite literally too
Be wary of his Melodies
They might sweep you away
So strong his Fire is
Ah yes
We like him a lot
What does that tell you

And now the Night beckons Us
With her soft star light
Such a Comfort
After being so close to Fire
Too close for Comfort really
We do not like the Stakes
That have Us Bleed
Or Burn
And so We leave you, little Mortal

But We are watching from the Shadows
As We have always been
How you Shine
The Warmth of you, it draws Us
Ah yes
Just a Taste
A nibble
One drop only

Is that so much to ask?

Do you think you need some proper vampsplaining? You can order your very own dark, poetic Revamp Your Life Vampire Tarot Reading here.

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