The Elemental Roulette

[Being the fifth part in our four-part special series on the nature of the tarot card suits For the previous parts, do check out Isabel’s Much at Stake: Vampires on Fire, Paulinnhhoo’s On Coins, Miguel’s To a Queen of Swords and Shelley’s The Fool’s Journey Through the Tarot Suit of Cups.]

It happens. You’re reading a book on the tarot. Or just going through some threads on some online tarot forum. Or maybe you pick this up in a course on tarot. Sooner or later, there comes a time where you will find a mention on how the four elements correspond to the four suits of the minor arcana. If you’re like me, the first time you read anything about the subject, this will seem like a huuuuge breakthrough, as it will open the door to a new understanding on the blasted minors and, perhaps, an easier way to deal with the damn cards. This will open the door to all kinds of esoteric subjects: kaballah, alchemy, mysticism, philosophy, and everything but the kitchen sink. Out of nowhere, there are huge amounts of knowledge that needs to be studied, perceived and assimilated in order to read the cards. Or at least to understand what the hell everyone is talking about.

Slide3.jpg

As if that wasn’t enough, not everyone seems to follow the same system. Cups are the easy ones. Everyone more or less agrees that they are associated with Water. The other suits, however are mined field. Are batons Fire or Air or Earth? And what about spades and coins? And why can’t anyone agree on something like this? Are we to follow the western esoteric tradition and assign Fire to batons, Earth to coins and Air to spades? Or should we take the cunning folk tradition and see Fire associated with coins, spades associated with the Earth and batons associated with the element of Air? Or maybe some other combination?

And, again, why don’t people agree just with any of this???

Well, you can blame the ancient Greeks for this whole mess. They’re the ones that had the idea that the whole Universe could be explained as a combination of four elements, namely Fire, Water, Air and Earth. Granted, other cultures has similar concepts. The number of elements might vary, or even the substances considered elemental, but older civilizations like the Egyptian, the Babylonians, the Hindu or the Japanese all had similar concepts. More recently, science has taken a spin on the concept, with the notion of states of matter. According to scientists, matter can not be described by a particular combination of the four elements — since there are some things called atoms (about 120 different kinds of atoms, just to complicate things) —, but they can appear in one of the following states: solid, liquid, gas and plasma. These scientists then entertained themselves with trying to find other possible states of matter, most of which occur at extreme conditions of temperature or pressure. Still, for the most part, under normal conditions the only observable states are solid, liquid, gas and plasma. These states are due to similar behavior of different types of matter at similar energy levels, and not due to having a certain type of some substance.

Or, to put it in another way, the states were assigned by observation. Just like in the old days, the elements were defined by observation. Aristotle, for example, related each element to two of four possible qualities. Fire is both dry and hot; Water is both wet and cold; Air is both wet and hot; Earth, both dry and cold. However, there were people who would not agree. For Proclius, a neoplatonist,  Fire is sharp, subtle and mobile, while Earth is blunt, dense and immobile. Air is blunt, subtle and mobile, and Water is blunt, dense, and mobile.

So, as you can see, right there at the beginning, people also didn’t see eye to eye with this. And things really haven’t gotten better since.

As most of the western culture comes from ancient Greece — with Plato and Aristotle being the two main pillars on which everything else got build, if these two currents can’t agree, we’re in for some deep trouble. And again, if the correspondence is to make any sense, there should be something in both the element and the suit that can be related. Which means, that we need to observe the same qualities in both the material element and the object that lends its name to the suit in question.

Since the last four posts have been devoted to the suits, we will start with the elements. So let’s take a look at all of this and see where it gets us.

FIRE
Fire is warm and bright. When controlled it can be used as a source of heat and energy as well as a transformation tool, enabling us to cook thinks and manipulate matter, whether it be glass making or metal crafting, amongst other; however, when uncontrolled, it can easily destroy everything in its path. Fire is then a source of creation and destruction. But the most interesting thing about the element is that it is both the strongest and the weakest element, due to a very interesting characteristic: it is the only element that cannot sustain itself. It constantly needs feeding in order to survive. Take out the source of nourishment and it will easily be put out. But can just as easily be brought back or rekindled with the right spark. This gives fire something that no other element has: the capacity of regeneration. In a sense, it lives to consume and be consumed, only to rise again from its ashes when the time is right. It is also the only element that is constantly changing, its flames constantly dancing in accordance to its own volition.

Associating Fire with the batons is easy enough: not only does wood burn, but if you rub two sticks together, you will create fire. Wood (and thus batons) can then be seen as a seed of fire but also as the carrier of fire. Which is why most people make this association. But that is not the only one.

For coins warm our palms just like fire. Also like fire, money doesn’t like to be still, but instead to spread as fast as possible. In a way, money is just as nervous as fire. And just as restless.

As for the suit of Spades, Swords are quick and destructive. In fact, they’re the most destructive suit of the pips, just like fire is the most destructive of the elements. As Proclius also pointed out, fire can sting, just like a sharp needle, which again brings it closer to Spades.

AIR
Air doesn’t have a particular shape or a definite volume. It can freely flow and expand or contract according to need. It’s main quality is thus movement. It contains oxygen, which is vital to human needs, but also carbon dioxide, which can be poisonous. It is what we breath in and what we breath out, so in a way, what connects us to the outside world; a bridge if you like. But at the same time, and much like Fire, it is a vital force. Even though we can not see it, we can feel its effects. With the breaths we take, but also in the wind and hurricanes and how it seems to bend things to its will, sometimes going as far as ripping them off the ground and just carry them away. As a carrier, there really isn’t a better medium, since air can carry both physical things as well as sound. It carries words, thoughts, ideas and it is what allows us to communicate with one another, no matter how far we are. In a nutshell, it is the element of interaction.

Esoterically speaking, the element of Air is attributed to Swords. This might seem like a strange attribution, but just think of the previous sentence: it is how words and ideas travel from one place to the other. How rational thoughts get spread. If you want a more down-to-earth approach, cold air cuts just like a sword does. Which, granted, is not the most elegant idea, but practical enough.

The attribution to coins isn’t a better one. It requires that we see money as a spirit, as fickle as air. Money comes, money goes. Like air, money is both a way to carry things forward and something as insubstantial as air.

As for batons, trees grow upwards. They take what they need from air and give it the oxygen other living beings require for sustenance. Batons are related to air because wood was once alive as trees. But not only that. As the suit of batons are related to the concept of will, it is also easy to relate  them to air. Just think of how the same breath that can nurture a flame can also extinguish it if we so will it. We just put our intention on the act, and just like magic! — well, there is also a scientific explanation to this, but onwards — the flame either puffs up or blows out.

WATER
Water is fluid. It doesn’t have a particular shape, even though it has a definite volume. It can flow from place to place. Sometimes it is crystal clear; other times, murky, thick and opaque. It can be still and peaceful, as the water in a pond or fierce and strong as in a tempest. And beware of undercurrents. They’re always there, even when they are not felt. An interesting property of water is that it will hit you back with the same strength that you hit it with. If you want, try this as an exercise. fill a bowl big enough to fit your hand with water. First, place your hand as softly as you can and gently push it underwater. You will find that it offers no resistance. Next, take the hand out and repeat the exercise, but faster. If you don’t feel any pain, gradually increase the speed you hit the water with until it does. You will find that the faster you hit the water with your hand, the harder it will hit you back. Physicists know this as the Law of Action/Reaction, which basically states that the higher the force you apply in an object, the higher the force that object will apply on you.

But that is not all about water, as water is at the root of life. Our whole bodies are made of water. Every cell that exists is made of water. And water is necessary for most of the chemical processes that occur in our bodies. Simply put, without water, there’s no life. Water was there at the beginning when life first appeared and not only provided the base material for life, it also provided shelter from the harsh conditions outside — the sea becoming a barrier from all the nastiness that was happening, while supporting and nurturing the life within.

From all the four suits, Cups seems the most obvious. Cups are a container, a vessel and that’s what we need to hold water (as otherwise it will flow away). If we look at how water and cups are related in the same way as blood and the heart, things become even more obvious. And more obvious still if we replace the word water with feelings, which traditionally are related to the heart. So much so, that the other suits aren’t even considered. And yet… water can hit just as hard as a baton and ice can cut just as sharply as a sword, so maybe there is something here?

EARTH
Earth has a definite form and volume. It is the most stable and inert of all the four elements. It is hard and cold and at first sight doesn’t seem to be of much use. After all, it is just there. But appearances can be deceiving. Everything that we get comes from the earth. All our food; all our metals and shiny things; all the materials we need to build and create stuff come from the earth. In a way, it is at the root of everything we do. It is the base material for things like glass, concrete, clay, and others. It is where trees and plants root themselves and the provider of all the minerals and nutrients they need to be able to grow. It is also where things break down and become available to re-enter the cycle of life. Or, perhaps just remain there until they are extracted for fuel. So where all the riches come from. Like water, it can also provide shelter from the elements, and even though we stopped using caves, we still build our own particular holes to live in.

From what was said, the Element of Earth could be attributed to the suit of coins. It is a place of riches after all. It could also be attributed to spades. The metal thing won’t helps us here, as it is also a reason to associate this element with coins (coins being made of gold or silver or some other metal). But because it is the place where things get broken down; divided into such tiny pieces they can then be of use to other living beings. And cutting things down is what swords are known to do; cutting things to the bone. Just like the earth.

So what do we make of all of this?

Well, the first thing we make is that logic can’t really help us here, as there’s always a logical reason for every attribution that we can think of. As we just saw, for each set of attributions, there are some very strong reasons. And again, for each set, some very weak ones. In a way, as Robert Anton Wilson said, “what the thinker thinks, the prover proves”. So if there’s a way to make this happen, it will happen. (For more on R.A.W. and the tarot, see our previous post here).

So if logic won’t help us, it all comes down to how we see each element: how do we perceive it; what functions does it serve and how can we best fit it with the way we perceive each of the suits. And the truth is, for most readings you won’t even need to bring the elements into play. Again, just go back to out previous posts on the suits and see how, even though they’re slightly mentioned, for the most part we didn’t even mentioned it.

Does this mean that they aren’t useful, then?

Not exactly. They do serve a function. Specially in health readings and to describe personalities, as the elements can be associated with temperaments and health functions. But that’s it. So the best thing to do is to find the set of correspondences you relate the most and work with it. Just stick to a system. This way, the cards will always communicate with you in the same language.

As for what system to use, well, I personally tend to favor the esoteric system, simply because that’s the one closest to heart for me — meaning the one that best worked with the Thoth deck, which was my main deck for close to twenty years. As I moved to the Marseille, I’ve found out that the esoteric system still held, but wasn’t as precise as the cunning folk one. So grudgingly, I ended up switching to the cunning folk whenever I read the Marseille [I mean, who am I to argue with hundreds of years of use of a system? If it really didn’t work, it would have been discarded by now, right?]. 

Thankfully, and as I said previously, the elements really aren’t that necessary in a reading. Just looking at the suits and its functions will get you there most of the time, as I’ve personally found out by comparing my Marseille readings with the ones given by more traditional readers.

So, look into it, see what system catches your fancy and stick with it. Don’t complicate stuff and, specially, don’t start shooting in every direction. Card readings should be precise and accurate. And for the most part, we actually don’t need the elements thrown in there. Even if it can help. So keep it simple.

Advertisements

To a Queen of Swords…

2500199a.jpg
Queen of Swords by Martha Pawlowna Sachidowitz. Part of a playing card set drawn for Pushkin’s Queen of Spades story. 

A friend of mine, let’s call her C., often complains that she doesn’t understand the suit of swords. I find this interesting, as most of the times that I talk to her, she is behaving like a sword, always analyzing things and trying to find her balance in the midst of a hectic day. Even if it is not the dominant element, swords are there and definitely play a big part in her life. It is there in her decision making when she cuts to the chase (which she often does). It is there in the way she handles her disease (she has an autoimmune disease which can leave her quite impaired when it flares up), by carefully weighting her options and evaluating how her treatments are improving – or not – her condition. It is there in the delicate balance that exists between her own limitations and her life, both professionally and personal. In fact, her medical condition has such an impact in her life that if it wasn’t for her ability to correctly use swords, things would have turned out quite differently.

So, what does the suit of swords mean when we’re dealing with the tarot?

We start with the word. Swords are long, sharp blades capable of cutting things down. Since there are also other objects that can cut things – like daggers, knifes, sharp glass, razors, scissors, hatches, axes, paper or cold air – we can also place these under the suit of swords. Swords then indicate things with sharp edges, and indeed, sharpness is one of the first things that comes to my mind when there is a sword at play. However, there are other objects that are also sharp. Things like nails, needles and pins might not be able to cut, but they prickle. They can also open wounds just like a sword can. They don’t have a sharp edge, but possess a sharp point, which means that these two can also be grouped under the suit of swords. We can then say that this suit represents anything with either a sharp edge or point; anything that can open a wound, no matter how superficial or small. And, while most tarot decks do focus on swords, some do look beyond them, addressing this very concept of sharpness.

Swords then are things that can cut. That can open wounds and, if the cut is too deep, kill. No wonder that they are seen as the most negative suit of the tarot. They bring to mind such ideas as pain, trouble, tears and death. And yet…since nothing “is” only negative or only positive, there is another side to this suit. Cutting things down can be, in the right context, a positive things. A common example is a problem so big that it needs to be addressed in parts; it needs to be cut down in smaller pieces so that each piece can be addressed separately. This is known as reductionism and is probably one of the sharpest tools of reason. Another example is the “cutting of illusions” that while destroying a dream also gives us the ability to be pragmatic and rational; to look at things as they are and not as we wished them to be.

We also cut things down when we need to divide something – a cake, for example – into small portions so that everyone can have its fill. Think about sharing with friends and family, about things like charity (where we take a part of our possessions and give them to those in need) or even about the process of reproduction. Cells replicate by continuously dividing themselves and even in the phenomenon of birth, where the baby gets separated from its mother. In a way, it is as if the mother gives up a part of her body in order for it to have a separate existence. All divisions and all events under the suit of swords.

And then there is concept of equilibrium. If you’ve ever tried to handle a sword, even if just for a swing, you’ve noticed that that is not an easy thing to do. Swords are heavy things, but they should move as if they were weightless. The arm and the sword need to be in sinc if the swing is to have any effect. Sword practitioners spend years trying to perfect that balance between their arm and the sword that’s being held, all to get the clean, swift, graceful swing that can effortlessly cut things down. If you haven’t, go watch some youtube videos of samurais or sword practice and focus on the lightness and the fluidity of the movement. Here’s a nice video of Yoshio Sugino, 10th Dan Master of Katori Shinto Ryu.

 

Balance is also required to make a sword. The metal needs to be heated, hammered and bent, its proportions, curvature and bevels shaped into being, sharpened, treated with clays or other substances, quenched, tempered, sharpened and polished. The blade needs to be balanced in order to properly swing. The edge has to be sharp and hard, in order to cut through effortlessly, while the back of the blade has to be softer in order to absorve the shock of blows meted out by opponents. This means that the blade has to be both flexible and hard. For more on sword making, watch this video below:

 

 

So what does all this has to do with reading cards?

It’s easy to see how the ideas of flexibility, hardship, cutting down, and balance can be reflected in cards with the trumps most associated with swords, namely Justice and Death. It is when we get to the pips that things might become more problematic. And here we need to distinguish between the esoteric decks – like the Waite-Smith and the Thoth  – and the Marseille style decks with its more down-to-earth approach.

With the esoteric decks, those concepts are present in both the drawings and the theory that goes with the card. If you can understand how an energy, for a lack of a better word, whose main purpose is to divide and to cut down, thus restoring balance where it is needed, changes along the suit, you’re all ready to go.

For the Marseille decks, however, a different approach is needed, since these type of decks are best read by looking at what they show us that to any cabalistic / magical / psychological / whatever theory. And what they show us is swords entwined in one another, forming oval structures which might contain – or not – something inside. When Swords appear in a reading, the first thing one needs to think is there’s something that needs cutting down and fast. Why fast? Because not only it’s the fastest weapon of the four suits, but also because once something is cut down that’s it. Problem solved. So, the higher the number of swords, the more urgent / pressing / complex / demanding / oppressive / painful your problem is. Or, to put it in another way, the more imbalanced the situation is and the faster you need to act and strike down everything that’s causing the mess in front of you. But it also means that the less options you have, because well, it’s the night of the long blades and something has to be done NOW! if one is to survive this.

unnamed-4a
Tarot de Marseille by Jean Noblet, as restored by Jean-Claude Flornoy

This is backed by the cards, as when the numbers increase, that circle of swords grows and grows, expanding towards the centre and the flower that was inside wanes and wanes into oblivion. Besides, as the number of swords increase, so does that sharp cocoon thickens. What this means is that as the number of swords increase, so do things become tougher and uglier. There’s no more Mr. Nice Guy here; only the need of swift action and to hell with the consequences. If, however, the swords decrease, things become less pressing and more malleable. It’s easier to sort things out, to balance things out.

Whether one is using a Marseille-styled deck or an esoteric deck, swords take no prisoners. Taking the way of the sword is to take the warrior’s path. It is to fight every day with determination and calm; to meet any situation without strains and without being reckless. As I said earlier, my friend C. has a great deal of swords in her. It’s not her dominant element, as there’s also a lot of fire in there, which brings a certain recklessness, unpredictability and a kind of lust for life that no Sword could give. But swords are there, sharp and ready for whatever the day will bring.