Do You Have To Believe in Tarot For It To Work?

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I have often heard people tell me, “Oh, but I don’t believe in the tarot.” I’ve heard that almost as much as I’ve had people ask me: “But how does tarot work?”

The idea that one has to believe in the tarot in order for it to work puts it on the same level as either 1) religion or 2) chicanery.

The idea that tarot either does or does not work implies that it sometimes can go right and sometimes can go wrong, much like a car or a computer, running smooth on some days and broken down on others.

In my opinion, there’s nothing inherent in the deck in which to necessarily believe. I think the declaration from people that they “don’t believe” in the cards comes from not understanding what the cards are about and how they can be used, and perhaps fearing them for that same reason. It’s a way to dismiss the cards as insignificant, unimportant, unworthy of faith, silly; and as such, reassuringly impotent, unintimidating, docile, unthreatening. We know that ignorance breeds fear. And doesn’t organized religion often require a firm belief in its tenets so as to keep the faithful in line (controlled, manageable, unempowered)?

Tarot doesn’t ask anyone to believe anything. It simply exists and is available as a tool, as a mirror, to those who wish to consult it.

There’s no need to associate belief with tarot. There’s nothing to believe in.

As far as how it “works,” that’s another story. When I asked that very question to my tarot teacher Enrique Enriquez, his immediate response was: “Who said it works?”

This one is a bit tongue-in-cheek, because obviously those of us who have a tarot practice wouldn’t spend time with the cards like we do if we weren’t getting some benefit. So I’m not dismissing the cards here as saying they have no use or no purpose. But the idea of them either “working” or not working is a loaded question.

I appealed to some of my friends and colleagues for an answer; if you haven’t read “Five Tarot Experts Explain How Tarot Works,” I encourage you to have a look.

It’s important to take the multiple layers of mysterious, imposed potency off of the cards. It’s important for readers to stop insisting that other people agree with them that the cards are useful, special, magical. Tarot is not a religion, it’s a practice. Tarot cards are not imbued with super powers. They don’t either work or not work.

What makes them so special, then? Why are people afraid of them? Why do people sometimes dismiss them, fear them, belittle them, or impose otherworldly powers upon them? Why do those of us who use them keep coming back to them, despite all the misunderstanding?

Well, let’s ask the cards themselves.

  1. What’s the most misunderstood aspect of tarot?
  2. What’s at the core of a tarot reading?
  3. What’s the best way to sum up the cards?

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In the 8 of Cups we see someone actively walking away from a set-up that seemed nearly perfect, but something was missing. No matter how hard this person tried to make things work, to fit the square peg into the round hole, it simply wasn’t going to ever be the way the seeker, the person walking away in the image, wanted it or needed it to be. As such, he or she is walking away from something that he or she invested heart and soul in, but is now letting go of. This person understands, even if it’s hard to acknowledge, that it makes no sense to keep devoting energy, time, heart, and soul to something that is clearly never going to change.

In my interpretation the most misunderstood aspect of tarot, then, according to this card, is that it isn’t about having all the answers tied up with a pretty bow and presented to you in a perfect gift box. It’s about seeking the answers and being honest about what you receive, and knowing when to take action, even if it hurts to do so, because it furthers your personal growth. It’s about knowing when to walk away, knowing when to give up, knowing when to let go. (In fact, I’d say this flies right in the face of the pop-culture notion of tarot as providing neat and accurate “hits” or predictions that give querents the answers and outcomes they desire, or, on the other extreme, cards that foretell of terrifying and unavoidable doom. Both of these concepts remove agency from the seeker. Tarot doesn’t show you what you want, it shows you what you need.)

At the core of a tarot reading is speed, and news. The 8 of Wands is about getting a message fast, about events moving at lightning speed, and about not having enough time to fully digest and comprehend everything that’s swirling around you. At its core, tarot goes straight to the heart of the matter before you even realize what’s happening. You either learn how to dance with this, or you resist it, or you try to rationalize your way out of it, or you try to control it. But at its core, it’s like a speeding bullet. You either consciously ride the fast current of the river, or you get swept up in it and carried away.

The best way to sum up the cards is the 4 of Swords – total silence and stillness. I’ve often had people tell me, after their first-ever reading, that they think “everyone” should have a reading, because it “puts you in touch with your inner self.” Let’s get quiet, and still, and listen, and stop. That’s what the cards can do for us. They can give us respite, a place to be silent and reflect, a place to recuperate and to regenerate, a place to completely stop and focus.

Your thoughts?

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Meeting the Mermaid: An Interview With Dame Darcy

I've known Dame Darcy as a comic book writer for years. She was the creative mind behind Meatcake, a mind-blowing comic that mixed romance, mermaids, strange characters with interesting names like Wax Wolf, StregaPrez or Scampi the Selfish Shellfish, Victorian landscapes, tutorials on how to make dolls, goth chicks and whatever else caught her fancy.

She also used elements of the tarot in one of those. In a four panel page, Dame Darcy was able to synthesize the essential about the minors. You can check it out below:

For someone that grew on a steady diet of superheroes, Meatcake was a breath of fresh air and made me realize how much I was attracted to weirdness. Meatcake was dark and funny and campy and strange all at the same time, and you never knew what to expect from the next story. Only that it would be fun.

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Fast forward to 2015. I was browsing some facebook postings and I saw someone talking about a Mermaid deck created by Dame Darcy. The very same Dame Darcy that created those Meatcake comics. Which, of course, meant, that I had to have them. It also meant that another of my favorite comic book creators also had a foot on the magic scene.

And just this year, the Meatcake Bible, which for the first time collected all those Meatcake stories in one single volume, got a nomination for the Eisner Awards for Best Graphic Album – Reprint category. While it didn't end up winning the prize, just getting nominated for what is considered "the Oscars of comics" was already quite a feat and a recognition of the quality of her comics work. And it also gave me the perfect reason to reach out to her and bring a little of her mermaidness to you. After all, we're supposed to be a maelstrom here, and what's a maelstrom without some mermaids?

1) What brought you over to tarot and, since you've published a book about it (The Handbook for Hot Witches), magic?

I set a goal, then I trust the Goddess to guide me, every day.
Working towards the goal, I watch for the signs she shows to guide me on the path of least resistance. Repetitive numbers appearing as confirmation is one kind of sign.
The basic outline of my experiences here have been that, sometimes frustrating or infuriating circumstances will lead to an ultimate unexpected reward and one must remember to be patient.
Making a mermaid tarot deck is one way to serve the ancient mermaid Goddess Yamaya and writing an occult book for children on a main stream publisher like Holt makes me so happy!
When I lived in LA I didn't like how my Latina students were treated like second class citizens in what was originally Mexico. And I felt like the billboards with all the white girls weren't honoring diversity and celebrating different kinds of beauty.
My students inspired me to write Hand Book For Hot Witches as well as my FairyGodchildren.

2) In both your Meakcake comics and the Handbook for Hot Witches you've made a point in showing how being different was actually a good thing that brought richness, creativity and diversity to the world. And yet, you've identified yourself as a mermaid, and even put out a Mermaid tarot deck. But mermaids have traditionally been associated with bad omens and dangerous events, the story of the goddess Atargatis who transforms herself into a mermaid after unintentionally murdering her human lover immediately comes to mind. How do you see the mermaid as an agent of change in this world?

Like the ocean, Mermaids can be beautiful mysterious and happy sparkiling creatures, representing the glorious days spent at sea when the weather is clear and bright. Bringing joy and abundance to all who love the sea. It is the source of all life on this planet.
My parent's named me Darcy Megan which means Dark Sea Pearl. How they knew I was going to be a goth mermaid when I grew up is very intuitive of them. And I embrace the dark side of mermaids. Everyone should fear and respect the ocean because Tsunami’s and shipwrecks are not a joke.

All the sad things going on with climate change nowadays and the ocean kills me. I wish plastic had never been invented. Or the corporate jerks who don’t take responsibility for its clean up, and one day they will all be stopped. Ultimately, the ocean will win and humanity will lose if they keep it up.

3) Also in your Handbook for Hot Witches, you've mentioned in passage how witches were related with storytellers and how rhymes and songs were important in spells and chants. Being a tarot reader (and deck maker), what do you think is the song of the tarot?

I made the tarot to be lyrical and romantic like a song, and even in one review someone said they could tell I was a musician.
I think the song of my Mermaid Tarot would be a sea shanty.

4) Browsing through your Mermaid deck, there's a noticeable Waite-Smith (WS) vibe there, specially in the minors. At the same time, the court cards and the majors often deviate from that WS matrix. What made you choose the WS tarot as a backbone for your own deck, and why did you choose to present different images for the Majors (for the most part) and the courts?

The first time I saw a tarot deck was my mom’s classic Ryder Waite from 1971.
I’ll never forget one night Mom’s friend was visiting us in Idaho from LA, and they were in the back room sitting by the fire. My mom’s long light auburn hair hung like a curtain with the fire glowing through it as she placed the cards in front of her friend to tell her a story of her life.
I thought it was very entrancing. When I was a teen witch my Mom bought me my own deck in Highschool, but I lost it sadly.
Then my friend Kat Bjelland from Babes in Toyland bought me another Rider Waite deck about ten years ago which I still use now.
I loved the atmosphere of the illustrations and have tried to emulate and recreate this kind of drawing style influenced by the Ryder Waite deck as well as illustrations from turn of the century fairytale books in my comics.

5) Comics are a form of visual narrative and the same could be said about the tarot. Both have their own distinct approach, and yet, there are several similarities between them. Having worked with both, how did your comics work and your tarot work influenced each other? And how do you think comics can help with tarot reading skills?

I was raised catholic and I always loved how the catholic church has stained glass windows that tell a visual sequencial narrative like comics.
When I decided to do a tarot deck I was very inspired by the fact it is also another form of sequencial art. And I couldn’t wait to do a nautical themed one with mermaids as the key characters.
The next tarot deck I want to produce will be based on the characters from my comic book Meat Cake.

 

 

You can contact Dame Darcy through her site, here. The Meatcake Bible can be bought over at amazon, at Fantagraphics or through Dame Darcy's online shop. Her tarot deck, now on its third edition, can be bought directly from her also from her shop. As for the Handbook for Hot Witches, you can get it from amazon and Dame Darcy's online shop.

The Ultimate Lesson of the Cards

Today I wanted to talk about a great experience I recently had in my life. It happened about a month ago, when I had the opportunity to meet two amazing people that welcomed me in such a wonderful way that we can say that yes, it is possible to have several families in the heart. In this case, I’m talking about this particular family which is the Maelstrom gang that happened to get together, even though we remain scattered throughout Europe. Talk about social networking…

I’ve already knew Miguel, with whom I studied, but I still had to personally meet the two ladies that are part of this family, Shelley and Isabel. Shelley knew only Miguel, and I think Isabel didn’t knew anyone personally. Thus, a weekend was arranged and set so that we could all meet up and hang out. I and Miguel were meeting Shelley at the Amsterdam train station on Saturday morning. We were supposed to travel south to Den Haag, where Isabel was waiting for us all. But meeting Shelley was the real ice-breaker. She had such a beautiful and truthful smile, that combined with her warm and powerful hug, I immediately lost all anxiety that this meeting was causing me.

Here, I want to confess that meeting up with tarot people usually leaves me anxious. I never did have that many contact with other tarot readers, apart from a few persons here in Oporto and once, when I was at a tarot conference in England. That experience helped me open up a bit (if you want, you can read about it here), but I still get all jittery inside just thinking of it.

I guess that happens because we almost never speak the same language when talking about cards: most people have this thing about keywords and how each card means this or that and I just keep staring at them trying to figure out what the hell do they mean. Or, if I start to talk about how I see cards and how the images seem to dance in front of my eyes, building up a story right there, there’s usually someone looking at me and wondering where can he or she find that liqueur I just had. I mean, I do understand their point: there are no references in how I read, just images. But then, that’s part of the magic of reading cards. How the same card can indicate so many different things instead of the same old same old. Ok, so maybe I’m simplifying things, but you get what I mean, right?

Well, meeting up with my colleagues here at Maelstrom was quite a treat. First with Shelley on the train station, and later on the train towards Den Haag. It all seemed like we knew each other for quite a long time, that not even the old hag complaining about the noise inside the train — hey! we’re latins, know what I’m saying? — was able to spoil anything. In fact, quite the opposite occurred, since right after we were shushed and that learned that “silence usually means not talking”, this wonderful child — which no doubt also has some great latin genes — started making all kinds of loud noises for the remaining of the journey. This is magic of the highest level, when the Universe itself deems to tell you that you’re right on the spot!

Then it was arriving at Den Haag, a city where I lived in about 16 years ago, during that short time of my life that I was living in the Netherlands. And a place that really I had such a great time, it really grew close to heart. This return to Den Haag was stirring all kinds of emotions and memories inside me. But the that wonderfully pesky child in the train told me, if this was to happen, if we were all supposed to meet, maybe things would be easier here, as in a way it was like coming back home.

Returning to Den Haag after all this time was lovely. Isabel was there with a greeting in everything the same as Shelley’s. And we had some time to walk around the city, although I couldn’t really relate to anything from the time I was living in there. Guess that too much time has passed. But I got to know this wonderful cafe, run by one of Isabel’s friends…And quite a fierce card reader as well.

You know the old saying… whenever there’s cards and readers, there will be readings. It’s as sure a thing as death and taxes. And we did! We did! We did read cards. Isabel read to Shelley, Miguel read to me and Shelley, I read to Isabel and so on and so forth. But we didn’t really read the cards. We would lay the cards on the table and everyone would talk about what they saw. Whatever was on the table, the Tarot of the Bones, The Sibilla Oracle, the Waite-Smith, the Carolus Zoya, the reading came out not from an individual mouth, but from the whole collective. More than a reading, we got into a sharing process where everyone was building on top of everyone else, until a conclusion was reached that was beyond the individual.

For me, it was an eye opener: I was used to people arguing about the meaning of a card. Curiously much more about the meaning of a particular card than the importance of that particular card in the spread. Usually, but not always, it’s those that have a fixed set of meanings for each card and immediately start running infinite mental combinations in search of that special sentence that provides the answer to what they’re seeing. The whole thing feels like it’s some sort of safe-cracking gig, but to each it’s own. Then, there’s the ones that see different things in the same cards, but arrive at the same conclusions: their readings reinforce your own, but add little value to what you’ve put to the table. And finally, there’s the ones that go synergistic, everyone combining their eyes to build a better eye that comes closer to an all-seeing eye.

Because, let’s be frank, the secret to card reading is not so much what we know, but what we allow ourselves to see. What I strive for, as a card reader, is the ability to see everything that is in front of me. But, that means that I must not care about anything: I must not care about my feelings or about anyone else’s feelings for that matter (empathy, is such a big no-no that it should be cut down the instant it approaches). This also means that I must not care about the results of the reading or any consequence that it may entail. There is only the reading and nothing more than the reading.

Reading like this would be perfect! But I’m still so far away from that that to actually have people around me that can make me overcome my blind spots to go that extra mile is great. And when I can also do this to them, then there is equal sharing. There is symbiosis. And what comes out of it is no longer a simple group of people, but something much larger than that. Something that takes you to a whole new level of reading and perception.

In all, it was a truly magical day, where people from different parts of the world got to meet in a special city and understand how they functioned better together than apart.

It was no surprise than that when all things were over and I was alone in my room, I got this for the question “Did we really need to be together for this journey?”

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We did. Justice on the side (in the position that reflects what’s behind the question) is arbitrating the whole thing. And justice stands for truth, so there it is.

I usually use this as a yes or no spread. But here, it’s one of those special cases where there is no “yes” path and there is no “no” path. There only is. And you can find a single story through out all of these cards.

What the cards are indicating was that this was the right moment for us to meet each other and start profiting from each other’s strengths. We will push each other’s boundaries so that all of us can get out of their comfort zone and see things in a different fashion that will ultimately lead us to a higher level. And even if we took the bottom line as a “no”, the first two cards are very explicit: you will go out and search for what is missing, but in the end, you would not leave your own backyard, becoming content with playing with your toys. The question that pops up to this reading would then be “what is it that is missing?”, but this would just send us back to the original question: “Did we really need to meet…?”

When things need to happen, they need to happen. When they are special, they are indeed special. You will know, because there are pointers everywhere. Even if it’s just a little child on a train making sure you know that you should not shut up. It does make me wonder why do we need card readings at all, if all it takes is to be aware of all that’s happening to us and with whom things are happening. I guess that’s the ultimate lesson the cards can give us: be aware… now and for ever. But, while you’re working on it, do read some cards.

The Elemental Roulette

[Being the fifth part in our four-part special series on the nature of the tarot card suits For the previous parts, do check out Isabel’s Much at Stake: Vampires on Fire, Paulinnhhoo’s On Coins, Miguel’s To a Queen of Swords and Shelley’s The Fool’s Journey Through the Tarot Suit of Cups.]

It happens. You’re reading a book on the tarot. Or just going through some threads on some online tarot forum. Or maybe you pick this up in a course on tarot. Sooner or later, there comes a time where you will find a mention on how the four elements correspond to the four suits of the minor arcana. If you’re like me, the first time you read anything about the subject, this will seem like a huuuuge breakthrough, as it will open the door to a new understanding on the blasted minors and, perhaps, an easier way to deal with the damn cards. This will open the door to all kinds of esoteric subjects: kaballah, alchemy, mysticism, philosophy, and everything but the kitchen sink. Out of nowhere, there are huge amounts of knowledge that needs to be studied, perceived and assimilated in order to read the cards. Or at least to understand what the hell everyone is talking about.

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As if that wasn’t enough, not everyone seems to follow the same system. Cups are the easy ones. Everyone more or less agrees that they are associated with Water. The other suits, however are mined field. Are batons Fire or Air or Earth? And what about spades and coins? And why can’t anyone agree on something like this? Are we to follow the western esoteric tradition and assign Fire to batons, Earth to coins and Air to spades? Or should we take the cunning folk tradition and see Fire associated with coins, spades associated with the Earth and batons associated with the element of Air? Or maybe some other combination?

And, again, why don’t people agree just with any of this???

Well, you can blame the ancient Greeks for this whole mess. They’re the ones that had the idea that the whole Universe could be explained as a combination of four elements, namely Fire, Water, Air and Earth. Granted, other cultures has similar concepts. The number of elements might vary, or even the substances considered elemental, but older civilizations like the Egyptian, the Babylonians, the Hindu or the Japanese all had similar concepts. More recently, science has taken a spin on the concept, with the notion of states of matter. According to scientists, matter can not be described by a particular combination of the four elements — since there are some things called atoms (about 120 different kinds of atoms, just to complicate things) —, but they can appear in one of the following states: solid, liquid, gas and plasma. These scientists then entertained themselves with trying to find other possible states of matter, most of which occur at extreme conditions of temperature or pressure. Still, for the most part, under normal conditions the only observable states are solid, liquid, gas and plasma. These states are due to similar behavior of different types of matter at similar energy levels, and not due to having a certain type of some substance.

Or, to put it in another way, the states were assigned by observation. Just like in the old days, the elements were defined by observation. Aristotle, for example, related each element to two of four possible qualities. Fire is both dry and hot; Water is both wet and cold; Air is both wet and hot; Earth, both dry and cold. However, there were people who would not agree. For Proclius, a neoplatonist,  Fire is sharp, subtle and mobile, while Earth is blunt, dense and immobile. Air is blunt, subtle and mobile, and Water is blunt, dense, and mobile.

So, as you can see, right there at the beginning, people also didn’t see eye to eye with this. And things really haven’t gotten better since.

As most of the western culture comes from ancient Greece — with Plato and Aristotle being the two main pillars on which everything else got build, if these two currents can’t agree, we’re in for some deep trouble. And again, if the correspondence is to make any sense, there should be something in both the element and the suit that can be related. Which means, that we need to observe the same qualities in both the material element and the object that lends its name to the suit in question.

Since the last four posts have been devoted to the suits, we will start with the elements. So let’s take a look at all of this and see where it gets us.

FIRE
Fire is warm and bright. When controlled it can be used as a source of heat and energy as well as a transformation tool, enabling us to cook thinks and manipulate matter, whether it be glass making or metal crafting, amongst other; however, when uncontrolled, it can easily destroy everything in its path. Fire is then a source of creation and destruction. But the most interesting thing about the element is that it is both the strongest and the weakest element, due to a very interesting characteristic: it is the only element that cannot sustain itself. It constantly needs feeding in order to survive. Take out the source of nourishment and it will easily be put out. But can just as easily be brought back or rekindled with the right spark. This gives fire something that no other element has: the capacity of regeneration. In a sense, it lives to consume and be consumed, only to rise again from its ashes when the time is right. It is also the only element that is constantly changing, its flames constantly dancing in accordance to its own volition.

Associating Fire with the batons is easy enough: not only does wood burn, but if you rub two sticks together, you will create fire. Wood (and thus batons) can then be seen as a seed of fire but also as the carrier of fire. Which is why most people make this association. But that is not the only one.

For coins warm our palms just like fire. Also like fire, money doesn’t like to be still, but instead to spread as fast as possible. In a way, money is just as nervous as fire. And just as restless.

As for the suit of Spades, Swords are quick and destructive. In fact, they’re the most destructive suit of the pips, just like fire is the most destructive of the elements. As Proclius also pointed out, fire can sting, just like a sharp needle, which again brings it closer to Spades.

AIR
Air doesn’t have a particular shape or a definite volume. It can freely flow and expand or contract according to need. It’s main quality is thus movement. It contains oxygen, which is vital to human needs, but also carbon dioxide, which can be poisonous. It is what we breath in and what we breath out, so in a way, what connects us to the outside world; a bridge if you like. But at the same time, and much like Fire, it is a vital force. Even though we can not see it, we can feel its effects. With the breaths we take, but also in the wind and hurricanes and how it seems to bend things to its will, sometimes going as far as ripping them off the ground and just carry them away. As a carrier, there really isn’t a better medium, since air can carry both physical things as well as sound. It carries words, thoughts, ideas and it is what allows us to communicate with one another, no matter how far we are. In a nutshell, it is the element of interaction.

Esoterically speaking, the element of Air is attributed to Swords. This might seem like a strange attribution, but just think of the previous sentence: it is how words and ideas travel from one place to the other. How rational thoughts get spread. If you want a more down-to-earth approach, cold air cuts just like a sword does. Which, granted, is not the most elegant idea, but practical enough.

The attribution to coins isn’t a better one. It requires that we see money as a spirit, as fickle as air. Money comes, money goes. Like air, money is both a way to carry things forward and something as insubstantial as air.

As for batons, trees grow upwards. They take what they need from air and give it the oxygen other living beings require for sustenance. Batons are related to air because wood was once alive as trees. But not only that. As the suit of batons are related to the concept of will, it is also easy to relate  them to air. Just think of how the same breath that can nurture a flame can also extinguish it if we so will it. We just put our intention on the act, and just like magic! — well, there is also a scientific explanation to this, but onwards — the flame either puffs up or blows out.

WATER
Water is fluid. It doesn’t have a particular shape, even though it has a definite volume. It can flow from place to place. Sometimes it is crystal clear; other times, murky, thick and opaque. It can be still and peaceful, as the water in a pond or fierce and strong as in a tempest. And beware of undercurrents. They’re always there, even when they are not felt. An interesting property of water is that it will hit you back with the same strength that you hit it with. If you want, try this as an exercise. fill a bowl big enough to fit your hand with water. First, place your hand as softly as you can and gently push it underwater. You will find that it offers no resistance. Next, take the hand out and repeat the exercise, but faster. If you don’t feel any pain, gradually increase the speed you hit the water with until it does. You will find that the faster you hit the water with your hand, the harder it will hit you back. Physicists know this as the Law of Action/Reaction, which basically states that the higher the force you apply in an object, the higher the force that object will apply on you.

But that is not all about water, as water is at the root of life. Our whole bodies are made of water. Every cell that exists is made of water. And water is necessary for most of the chemical processes that occur in our bodies. Simply put, without water, there’s no life. Water was there at the beginning when life first appeared and not only provided the base material for life, it also provided shelter from the harsh conditions outside — the sea becoming a barrier from all the nastiness that was happening, while supporting and nurturing the life within.

From all the four suits, Cups seems the most obvious. Cups are a container, a vessel and that’s what we need to hold water (as otherwise it will flow away). If we look at how water and cups are related in the same way as blood and the heart, things become even more obvious. And more obvious still if we replace the word water with feelings, which traditionally are related to the heart. So much so, that the other suits aren’t even considered. And yet… water can hit just as hard as a baton and ice can cut just as sharply as a sword, so maybe there is something here?

EARTH
Earth has a definite form and volume. It is the most stable and inert of all the four elements. It is hard and cold and at first sight doesn’t seem to be of much use. After all, it is just there. But appearances can be deceiving. Everything that we get comes from the earth. All our food; all our metals and shiny things; all the materials we need to build and create stuff come from the earth. In a way, it is at the root of everything we do. It is the base material for things like glass, concrete, clay, and others. It is where trees and plants root themselves and the provider of all the minerals and nutrients they need to be able to grow. It is also where things break down and become available to re-enter the cycle of life. Or, perhaps just remain there until they are extracted for fuel. So where all the riches come from. Like water, it can also provide shelter from the elements, and even though we stopped using caves, we still build our own particular holes to live in.

From what was said, the Element of Earth could be attributed to the suit of coins. It is a place of riches after all. It could also be attributed to spades. The metal thing won’t helps us here, as it is also a reason to associate this element with coins (coins being made of gold or silver or some other metal). But because it is the place where things get broken down; divided into such tiny pieces they can then be of use to other living beings. And cutting things down is what swords are known to do; cutting things to the bone. Just like the earth.

So what do we make of all of this?

Well, the first thing we make is that logic can’t really help us here, as there’s always a logical reason for every attribution that we can think of. As we just saw, for each set of attributions, there are some very strong reasons. And again, for each set, some very weak ones. In a way, as Robert Anton Wilson said, “what the thinker thinks, the prover proves”. So if there’s a way to make this happen, it will happen. (For more on R.A.W. and the tarot, see our previous post here).

So if logic won’t help us, it all comes down to how we see each element: how do we perceive it; what functions does it serve and how can we best fit it with the way we perceive each of the suits. And the truth is, for most readings you won’t even need to bring the elements into play. Again, just go back to out previous posts on the suits and see how, even though they’re slightly mentioned, for the most part we didn’t even mentioned it.

Does this mean that they aren’t useful, then?

Not exactly. They do serve a function. Specially in health readings and to describe personalities, as the elements can be associated with temperaments and health functions. But that’s it. So the best thing to do is to find the set of correspondences you relate the most and work with it. Just stick to a system. This way, the cards will always communicate with you in the same language.

As for what system to use, well, I personally tend to favor the esoteric system, simply because that’s the one closest to heart for me — meaning the one that best worked with the Thoth deck, which was my main deck for close to twenty years. As I moved to the Marseille, I’ve found out that the esoteric system still held, but wasn’t as precise as the cunning folk one. So grudgingly, I ended up switching to the cunning folk whenever I read the Marseille [I mean, who am I to argue with hundreds of years of use of a system? If it really didn’t work, it would have been discarded by now, right?]. 

Thankfully, and as I said previously, the elements really aren’t that necessary in a reading. Just looking at the suits and its functions will get you there most of the time, as I’ve personally found out by comparing my Marseille readings with the ones given by more traditional readers.

So, look into it, see what system catches your fancy and stick with it. Don’t complicate stuff and, specially, don’t start shooting in every direction. Card readings should be precise and accurate. And for the most part, we actually don’t need the elements thrown in there. Even if it can help. So keep it simple.

On Coins

[As part of our special four-part series on the nature of the tarot card suits, I’ve been asked to talk about the suit of coins. For the previous parts, do check out Miguel’s To a Queen of Swords and Shelley’s The Fool’s Journey Through the Tarot Suit of Cups.]

 

My first experiences with the suit of Coins happened way before I ever got involved with the Tarot. I was eight years old when I found my first stray card. It happened on a garden. I was sitting on a bench, waiting for my parents. When I was about to leave, I took my hand to my pants and found that an Ace of Diamonds got stuck into my pocket. At that time, it felt like an omen. I have always had a soft spot for this card. It was red, one of my favorite color and at its center, it had a big diamond, which reminded me of diamonds, money. In a way, it reminded me of the good stuff in life. I guess that was why, when I was playing cards with my family, I always wanted that particular card to show up on my parents’ hand. To give him some needed good fortune in life. I’ve held to that particular card I found in the garden for years. I carried it with me in my wallet wherever I went, until I lost my wallet and the card that was inside. At that moment, as I was reminded that what comes, will also go away sometimes, everything broke. And I learned that no matter how good a talisman is, it’s no substitute for ourselves and our ability to go after our own things by our means. You see, magic is a good thing, but never a substitute for work and diligence.

A few years later, I was in Den Haag, in the Netherlands, trying to make ends meet. I needed some money to catch a bus home, but didn’t have enough to buy the ticket. Thus, I ended up walking my way home. On the way, I stopped for a while to catch my breath. I glanced down and saw another Ace of Diamonds, right there on the floor. I picked it up and found five euros glued to the back of the card. There was the money I needed, after all. This card was indeed an amulet. Once again I took the card – and the money – and keep it in my wallet. Once again, I ended up loosing the card. Only this time, I wasn’t concerned. Twice it had appeared, bringing either news of fortune or, money to a much needed situation. And they say third time’s a charm, so I’m quite sure it will show up again.

For me, this is what the suit of Coins represent. Money, riches, quality of life. The money part is easy: the suit is called “coins” after all. In Portugal, where I’m from, we call it “Ouros”, which translates as “Gold”. In a deck of playing cards, the suit of coins corresponds to Diamonds. And oce again, we have that meaning of riches, of precious things right there in the name of the card. But riches doesn’t necessary mean just money and precious metals. It can also mean anything we find of value. It can be a good friendship, or a plentiful table. In a way, of everything good that we receive from friends, family, society and nature itself, for food and shiny things are taken from the earth to our enjoyment and fulfillment.

And yet, it is the human eye that sets the value of all that surrounds us. What is precious one day can become dull and worthless the next day. Money is a fickle and nervous thing. It doesn’t like to rest, but to travel from one hand to the other. In a way, it gets nervous if it has to stop for more than a few moments, and it ends up loosing value. As any book on finances will tell you, money is only good as long as it can be passed along, traded for another thing. Unless you’re Uncle Scrooge, that is, and take your enjoyment out of jumping into piles of money, swimming through them and toss it up and let it hit him on the head.

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From “Only A Poor Man”. Story and Art © Walt Disney

When going through the suit of pentacles, we can see how these things influence our lives. Whether you’re using a Marseille deck or a Waite-Smith deck or any other, the same ideas come forth, even if in different ways or in different cards. As I’ve mostly familiar with the Waite-Smith deck, this is the deck I’ll be using to address the suit of coins. As a first approach, the more coins we get in the spread, the better we are. If these cards are meant to remind us of the good things in life, this is easy to understand: one coin (the ace) is little; ten (the highest number in the suit) is great wealth. So the higher the number, the better we are. But then, we come to the images. Some of the images from the WS suit of coins are not as positive as one would like. They speak of loss and misery; of struggle and work; of patience and the need to resort to others. This is to be expected, as money comes, money goes and really, how many of us can tame that fierce beast under its belt?

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Money comes to us as a gift. From our parents at first, but also from friends, strangers or bosses. It is handed to us to do as we please. This then would be the ace. Money as an offering, a gift. In a way, it can also mean a letter, as gifts of money usually arrive inside a letter, as it is not polite to show everyone else what one is giving.

As soon as we get money in our hands, our struggle starts. What to do with it, or where to put it. Expenses such as food, house, water and gas are to be paid and we have only two coins to address it all. Not enough for our needs, but still, one must make ends meet.

Fortunately, we can rely upon others. That is, if our social network is a strong one. Family and friends can come to our rescue and bring us that extra coin, thereby increasing our income to three.

But four coins is the minimum number that we need for security and stability. Enough coins to cover our corners. However, this is a dangerous number, as we have only enough money to meet our expenses. There is a tendency to grab on to what we have and not let it go. If you look at the picture of the four of coins, that’s exactly what you will see: the man in the picture is seated, two coins safely tucked under its feet; one around his arms and one at his head. There’s a risk here, for money doesn’t like to be held against its will. Money is like a spirit, you see, and the more you bind him, the worse it will treat you. And in the end, if you don’t pay your bills…

You will end up loosing everything. Creditors will come and take what is yours and good luck with your four coins. In the end, you will need more than that and unless you have them tucked away, you will be left on the street, cut away from the very society that you were part of. In the Five of Coins, we see two vagrants walking in the street. There’s snow everywhere and a lit window that recalls the comforts of a warm home. I tend to think of the Little Match Girl, when I see this card. However, unlike the hero in Andersen’s story, our vagrants don’t stop and go near the window. They know fully well the reality they’re on, and unless they find a shelter quickly, they will freeze to death. The Five of Coins is then, not a card to get complacent. Hard times are hard times, and need to be addressed with seriousness if one is to escape them.

So what can one do then, except go begging in the streets? To rely upon the kindness of strangers? A coin gained can be such a treasure, after all. It can put some warm food in our belly or help us get a shelter for the night. Still, to depend upon the kindness of strangers is never a good thing. Strangers will only tend to give what they won’t miss. Those few extra coins are to be scattered between all that are in need, and maybe, just maybe it won’t be our turn just now. Still, it is the first step to get on our feet, now that the importance of money has been learnt.

If we take that coin and plant it in fertile ground (7 of Coins), we might get lucky. Our small business might develop and, with time, prosper. But grooming a business takes time. And it takes money. Good things grow slowly, so make sure that you do this well and stay vigilante. Else someone else ends up taking what is yours.

This is the time to work. To work and work and work. There’s no escaping it. Money comes through work. And if nothing else is there to do, well… work some more. The more you put into things, the bigger the rewards. So says the 8 of Coins.

And someday, someday things will bloom again and you will see the fruits of your labor. You will gather enough money to have a secure life. A life without any worries, your nine coins providing all the wealth that you need.

And with luck, you will get there. To the ten of coins. Money is not a problem anymore, as you can do anything you want. Or perhaps it is. Just look at the card. A couple is meeting in a garden, oblivious to all but themselves. But, lurking in the shadows, an old man remains seated, guarding his treasure. As Uncle Scrooge would tell you, that’s the problem with having too much money: you end up having to guard it against all thieves. Once again, you’re a prisoner of money, but now, you’re tending to its needs. Money did give you everything you wanted, but in return, it demanded your total obedience. Was it worth it? If it isn’t, you can always start again, by giving someone a coin. Just enough to get them started.

For the court cards, we go through the same exercise one again.

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The page holds its coin high, dreaming of all he can do with it. He is like a child, wondering which of his dreams he will fulfill this time with what little money he has. For him, money is like a blessing and he intends to treat it as such.

The Knight knows better, and sees it not as the promise of some item to be bought, but a way to get where he needs to go. For him, money is that secret key that opens all doors. Or at least, can open the right ones. Now, he only has to figure where he is going.

For the Queen, money is to be tended and looked after. It doesn’t come easily, so she should better not let it out of her sight. With the right attention, it can increase and offer abundance. But if she takes her eyes out of it, it will disappear. Money is then something necessary to attain what she needs. And to secure her home.

For the King, money is to be shown and paraded. It is there to make a stand and to give him privilege. He is King, after all, and he has the most money of them all; the most power. It is time to do as he pleases when he pleases and how he pleases. It is time to finally rule his world.

In all, money is a means to an end. It is there to provide us with the things we need and, with luck, some of the things we might like, even though we don’t necessary need them. The suit of coins addresses a part of our life: the material part. However, as the other suits point out, it is not the only part that needs to be attended. Even if having all those coins in our pocket might feel like a good thing.