It’s not everyday that a deck grabs you by the balls and leaves you speechless. It’s even rarer when the same artist manages to do it again and again with every deck she puts out. And yet, this is exactly what happens to me every time I get my hands on one of Ellen Lorenzi-Prince’s work. With the forthcoming release of the third edition of the Tarot of the Crone and the reprint of the Tarot of the Dark Goddess, this is exactly the time to spread the word about this wonderful artist.
My first exposition to Ellen’s work came with the Tarot of the Crone. Unlike most decks out there, this one fulfilled all my personal needs. The lines were simple and clear. The colors added to the feel of the card, without overwhelming it. The human figures had expression and body movement. In fact, you could actually feel that these scenes were happening right there in front of you. Even better, the figures were facing us, the readers, inviting us to take our place among them and participate in what they were doing or, perhaps, confronting us with issues unresolved. But the most important thing of all, the one that actually cuts the deal for me is “do these pictures tell a story?” And well… they do! They spoke of ancient mysteries, of our connection to nature and the part women played in that process. They reminded us of what we once held sacred. How the elements of earth, fire, water and air had their role to play in our lives. And how, somewhere along the line, we had severed that connection to revere gods of electrons and statistics.
The tarot of the Crone because an instant hit with me. For months, I would use it for every reading I would make, its voice whispering “Break down the mold. Go back to the basics and see where the important stuff lies.” Having started my tarot path as a full-pledged Thothite, this deck delivered the first major clue that the esoteric system with its elegant, complex and clockwork mechanics might not be as formidable as it seemed. Instead, I was asked to look below to the earth and to discover the magic in the little things that Nature continuously throws at us. And for that, I was eternally thankful. Click here for a glimpse of the kind of insights that I would get from the Tarot of the Crone.
A few months later, her second deck, the Dark Goddess Tarot, arrived. The deck presented images of 78 entities – as they aren’t all goddesses – drawn from various mythologies and legends from around the world. I remembered being excited with this deck because one of the entities portrayed was that of Tlazolteotl, one of the goddesses that had a big impact on my life at that time. The inclusion of Tlazolteotl in the deck made me wonder who else might be in it. And while some of the more popular goddesses have found their way there – like, for example, Shekmet, Isis, Hecate (as Phosphorus), Aphrodite, Kali or Santa Muerte – a number of other interesting, even if less known, entities are there.
In all, these 78 cards bring us tales of love, vengeance, loss, pain and fury. If the Tarot of the Crone spoke about our connection about Nature and how far we’ve deviated from it, the Tarot of the Dark Goddess offers us a way back. By following these entities, learning their stories, hearing their advice and acting upon it, we can trace our way back to that communion with the natural world that was pictured in the Tarot of the Crone.
Coincidently or not, the first card of the deck, the Fool is attributed to Sheela Na Gig, figurative carvings of naked women with an exaggerated vagina, that are found throughout Great Britain and Ireland in churches, castles and other buildings. According to the LWB (Little White Book) that accompanies the deck, this card asks us to “Dare to come back to where you began”. For the last card of the deck, the Hag of Earth, Ellen gave us a painting of She Who Watches, a woman turned into stone by a trickster spirit so that she could fulfill her desire to be and stand by her people forever. Referring again to the LWB, the message Ellen gave to this card is “Remember history or more will be lost”. In-between, there’s 76 cards to leads us to this process of journeying back, once we decided to pass the Fool’s invitation.
With her next deck, we journey to Ancient Creete, home of the Minoan civilization. 78 cards, painted in the style of minoan images, while still maintaining that characteristic Ellen line, propose to show us aspects of the day-to-day lives of people that are in communion with Nature, the Goddesses and themselves. In a sense, this is the next stage of Ellen’s story. After the shamanic visions of the Tarot of the Crone and the journey back home with the assistance of the various goddesses and mythical figures that populate the Tarot of the Dark Goddess, we suddenly arrive to where we’re supposed to be. And it’s a place filled with light, where everything feels in harmony with everything else. Looking at the images, one can’t stop to wonder why did we ended up diverging from this.
More or less at the same time, The Kali Tarot Prayer Cards were released. This deck, a set of 22 cards fashioned after the Major Arcana of the Tarot, gives us a glimpse of the work Ellen did with one of the Dark Goddesses present in the her second deck and how these entities can help us navigate to the places suggested by both the Tarot of the Crone and the Minoan Tarot. While this deck can also be used in readings – and to devastating results – it is a a meditation tool that the deck shows all that its capable of. In every card there’s a painting corresponding to an aspect of Kali. An aspect that somehow can be framed as one of the Major Arcana of the tarot. All the pictures are presented as they are. With no names or numbers to indicate to each the Major Arcana they belong. In what feels like a conscious choice, we are asked to consider the images as they are. To truly read them as images, not as an assortment of keywords or any other tarot luggage that might get in the way. Behind each card, along with the indication of the Major Arcana, there’s a prayer to the goddess. A message, if you will of how we can connect to that goddess or how that particular aspect can help us with our issues.
In all, Ellen’s work with the Tarot is unique and deserves your attention. So give yourself a treat and treat yourself to one of her decks. You will not be disappointed.